Monday, November 7, 2011

Just Who Is Monica Brinkman?

In her own words:
A supporter of the EBMRF Foundation, you will find Ms. Brinkman has written many articles that focus on opening people’s eyes and hearts to the E.B. Children.
In fact, Monica M. Brinkman’s first authored stage play, How Lucky Can You Get, performed in San Jose, CA some twenty-five years ago, donated all proceeds to the Muscular Dystrophy Foundation.  With a background in the theatre, Monica portrayed Lucy (You’re a Good Man Charlie Brown), Dorothy (The Wizard of Oz) and numerous other characters prior to dedicating herself to full-time writing.
Her great love of animals shows as the "mom" of five cats and two dogs, all her babies. She now lives in Missouri with her husband of 28 years, Richard.
Monica’s novel, The Turn of the Karmic Wheel, has pleasantly surprised many a reviewer with its twists and turns of horror, the paranormal, spirituality, and suspense. Indeed, it is not quite the story they anticipated. It is a story that she confesses just had to be written to give people hope, purpose, and accountability for their actions in life. Ah yes, the magic of karma.
You’ll find Monica and co-host Oana interviewing guests who bring knowledge, enjoyment, controversy and excitement to the listeners every Thursday at 8PM EST on their Two Unsynchronized Souls blogtalk radio show.
Websites:
Radio Show:

Saturday, October 29, 2011

Just Who Is Amy Krout-Horn

The latest in the "Just Who Series," in her own words:
Amy Krout-Horn (Oieihake Win, Last Word Woman) has resided in two worlds; the world of the sighted and the world of the blind. She has been a writer in both of them. She spent time in Washington DC acting as a political lobbyist for the disabled, worked as the first blind teaching assistant at the University of Minnesota’s American Indian Studies program, and holds degrees in American Indian studies and psychology. She is a regular contributor to Slate and Style magazine and, in 2008, was awarded their top fiction prize for War Pony. Amy, with her life-partner, Gabriel Horn, co-authored the novella, Transcendence (All Things That Matter Press, 2009). Her creative non-fiction was featured in the spring 2010 issue of Breath and Shadow, and Talking Stick Native Arts Quarterly published her essay, “Bleeding Black,” in their fall 2010 issue. Her latest book is an autobiographical novel, My Father’s Blood (All Things That Matter Press, 2011). Currently, she is at work on her third novel, Dancing in Concrete Moccasins. 
A staunch advocate for social and environmental justice, she writes and lectures on native history and culture, diabetes and disability, and humanity’s connection and commitment to the natural world. For more information, to purchase books, or to contact Amy, please visit her official web site.

Wednesday, October 19, 2011

Just Who Is Jeff Gephart, Anyway?

 
Just as my wanderlust has kept me moving from place to place and working in diverse capacities, my writing defies strict categorization, from the satirical humor blog I post on my website (jeffgephartwriting.com) to the poignant drama of my first two novels—2006’s The Second Life and Out of Dark Places, published in 2011 by All Things That Matter Press.  The settings and characters can change, but one theme that ties most of my writing together is the examination of the human spirit.  I find people fascinating, and I want to understand what motivates and inspires them, so that’s what I write about.  Most of the kids my age loved Star Wars for the space battles and memorable aliens, but what drew me in was the battle raging within Luke Skywalker’s soul and his ultimate decision to reject the Dark Side.  To me, nothing is more compelling than a story of someone finding the resources within themselves to overcome life’s staggering obstacles.  The Second Life deals with a man who rejects society’s definition of religion and struggles to find the truth within himself, while Out of Dark Places features a protagonist who learns that the connections we make with others might be enough to redeem his tattered soul. 
 
While my next project will be a more light-hearted, comedic look at a character finding his way through a confusing world, I’m sure you’ll notice those same themes of self-discovery and the evolution of the human spirit.  If you’re a reader that enjoys having your empathy awakened and discovering that the similarities of our life experiences is what binds us all together, I have a feeling you’ll find it as rewarding to read my books as it was for me to write them.
 
http://www.youtube.com/watch?v=zyArqsc5QtI

Sunday, October 16, 2011

Elizabeth Cunningham and the Red-Robed Priestess


Tomorrow night I have the great honor of interviewing Elizabeth Cunningham, one of the most fearless and authentic writers alive today. Cunningham is the author of the famed Maeve Chronicles, as well as many individual books, such as The Wild Mother; The Return of the Goddess, a Divine Comedy; How to Spin Gold, a Woman’s Tale; Small Bird, and Wild Mercy. She is the direct descendant of nine generations of Episcopal priests, and she grew up hearing rich liturgical and biblical language, which, among other literary and personal influences, strongly informs her writing. The novel Red-Robed Priestess, the fourth of The Maeve Chronicles will be released in mid-November, and tomorrow night, Cunningham will read a preview from this much anticipated book.

The interview will take place at Tiferet Talk at 7 pm EST, tomorrow night, 11/17/11.

Cunningham has stated that both The Maeve Chronicles and her interfaith ministry express her profound desire to reconcile her Christian roots with her call to explore the divine feminine. For more information about Elizabeth Cunningham, please visit: http://www.passionofmarymagdalen.com/pages/about_elizabeth_cunningham_author.html

Click here to see the Publishers Weekly review of the forthcoming Red-Robed Priestess.

Below see an excerpt from Magdalen Rising : The Beginning by Elizabeth Cunningham, published 2007 by Monkfish Book Publishing. Copyright © 2007 Elizabeth Cunningham
Chapter One

The Birth of Brightness

You have all heard of his birth in Bethlehem in a stable -- though his mother told me it was really a cave, and she's vague about the location. You know the story of the attendant animals, the bedazzled shepherds, and the Magi who followed the long-tailed star. But did you know that the star had a twin? The sister star chose a tiny island in a northern sea. Its long tail lashed cold waters. Far from that holy birth in the hills, brightness rose from beneath the wave.

That was me.

I had a full head of red hair exclaimed upon, as I crowned, by the seven midwives, my foster mothers all. I had no need of awe-struck shepherds. My mothers kept sheep and pigs and goats besides. And listen, even though it's midnight, the mourning doves lift their heads to make soft, wondering noises, almost obscured by the raucous chorus of ravens in the wood and the cry of seabirds from their nests in the cliffs. And yes, if you pay attention, you can hear the walrus and seals barking for joy on the rocks. Wild horses answer, and a she-bear roused from sleep adds low, grumbling praise. Now if you look very carefully at the island's heart between mountain breasts, you can glimpse a moonlit flash of gold as the salmon of wisdom leaps from its pool.

And what need had I of visiting wise men when I was already surrounded by the Warrior Witches of Tir na mBan, the Land of Women? Ah, see that name stirs some forgotten memory. Just as everyone is a little bit Irish, who has not dreamed of the Shining Isles always to the West? The Summer Land. The Apple Isle. The Isle of Women. The Land of Youth. The Isles of the Blest. Dangerous, paradisiacal places where a hero could be made or undone. The greatest heroes -- Cuchulain and Fionn MacCumhail -- received their training in the arts of war and the mysteries of love at the hands of women who dwelled in island strongholds of ancient, female power.

At least, that's how it was in what my mothers called "the good old days," lamenting the lack of heroes in these slack modern times. Maybe it was the times. Though none of us knew it then, that pivotal moment, when he and I were born, was the meeting place of history and myth, of time and time out of time.

Friday, October 14, 2011

Just Who is Elizaveta Ristrova, Anyway?


I'm excited to join All Things That Matter Press in a blog tour (the "Just Who" Series) to introduce its authors to the world. This post is the first of many to come:

With her balance of misanthropy and anthropological curiosity, author Elizaveta Ristrova travels around the world in search of interesting material. Her books consider the significance of religion, clashes between races and culture, the relationships between humans and the environment, and the creation and unravelling of human relationships. She keeps a day-job as a lawyer, focusing on environmental and international development issues.

We in Pieces, Tales from Arctic Alaska, arose from her years living 500 kilometers north of the Arctic Circle. There, she interviewed community leaders regarding traditional knowledge, cut and served whale despite being vegetarian, and read every issue of the local newspaper dating back to the 1960s. Writing was a great way to fill the three months of darkness each year.

Ristrova hails from south Louisiana and currently finds herself in Makati City, the Manhattan of the Philippines. She likes singing the blues, dancing tango, making soy brownies, creating kindergarten-style art, and proselytizing about the environment. Her previous books include Taking off My Sweater, Something Short of Salvation, and Small Fish in a Small Pond.

We in Pieces is available at http://www.amazon.com/We-Pieces-Tales-Arctic-Alaska/dp/0984651756. Pictures of the nineteen characters in the book and a diagram of the relationships between them are at www.facebook.com/ristrova.



 

Sunday, September 25, 2011

Alliteration in Red


Tomorrow night, 9/26/11 from 7 - 7:30 Eastern Standard Time, I have the honor of interviewing two lovely, brilliant, red-headed poets for Tiferet Talk.

Poets Adele Kenny and Deborah LaVeglia are both reading series directors. Kenny runs the Carriage House Poetry Reading Series, and LaVeglia directs Poets Wednesday. Both Kenny and LaVeglia also work for Tiferet, Kenny as a poetry editor and LaVeglia as a reading coordinator. Kenny is the award winning author of more than a dozen books of poetry and non-fiction. Her most recent collection of poems, What Matters, was released just this month and is already enjoying a warm critical reception. LaVeglia is a workshop facilitator for events such as Teen Arts Festival and the author of the collection Vigil.
We’ll be talking about how to give a great poetry reading, how poems are selected for publication in Tiferet, what makes a good spiritual poem, and many other things. If you can’t join us live, please feel free to listen to the archives anytime after the airing. They’ll be available indefinitely at the itunes and Blogtalk sites.

“Of Feathers, Of Flight” by Adele Kenny
From What Matters
Winner of the 2007 Merton Poetry of the Sacred Award
…if I look up into the heavens I think that it will all come right …
and that peace and tranquility will return again.
                                 – Anne Frank

That spring, a baby jay fell from its nest,
and we took it to Mrs. Levine, who told
us the mother would know our hands and
never take it back. Spring that year was a
cardboard box, cries for eyedropper food –
feather-stalks stretched into wings. We
knew, of course, that we couldn’t keep it.
(Later, we would mark the spot with stones
and twigs – where the bird fell, where we
let it go – and sometimes, stopped in the
middle of play, would point and say, there,
right there.)
The day we freed it, it beat, a
heart-clock (wound and sprung in Ruth
Levine’s old hand) that, finally, finding
the sky, flew higher than all the briars
strung like metal barbs above the backyard
fence – a speck of updraft ash and gone.
Heaven, fuller then for one small bird,
spread its blue wing over us and the tree
and Mrs. Levine who, breathing deeply,
raised her numbered arm to the light and
moved her thumb over each fingertip as if
she could feel to the ends of her skin the
miracle edge of freedom, of feathers, of flight.


"Of Sleep & Dreams" by Deborah LaVeglia
Originally published Edison Literary Review

The sun wakes me.
Its light coaxes me out of my dream,
forces me to crawl back inside my skin.
What is real
and what is unreal
divide themselves,
as blissful sleep puts on its coat and hat.
Departs.
I reclaim my body one section at a time.
Mouth: dry.
Muscles: stiff.
What I want is to find a way
back into that dream,
where there are only the two of us
in black and white,
and we share a cigarette, an inside joke
and some whiskey.
And , like a Frank Capra movie,
everything turns out right in the end.
All our friends line up to support us, and
nothing is allowed to prick our skin unexpectedly.

Friday, August 19, 2011

Relaxing into Writing

I haven’t done anything today. Nothing, that is, except watch the ways light can move through the branches of a tree, nothing but sit on this old bench outside the library, under the portico, beside a slow moving pond.
It’s been a long time since I’ve relaxed. And I feel great.
In general, I’m reluctant to slow down because I can’t stand not accomplishing anything, yet I’ve achieved more sitting on this bench, watching the leaves dance, than I have in months of spinning my wheels in the muddy banks of busyness.
I’ve written ten pages while looking at this tree, and it’s been a long time since I’ve been able to write like this—freely, openly, without inhibition or distraction. The sitting and watching, the not thinking, the not worrying, the gentle kisses of air—they are little muses beaconing me back to the life of the soul, back to the life of art.
And it occurs to me that of all the things we do to write, of all the preparations we make, the most important one is to relax, to quiet our minds, to be present in the moment, and to love and learn the things about which we will write by giving them the time they need to express their treeness to us, their pondness, their benchness.
Relaxation is industry, in the best sense of the word. The greatest of scientists will tell you that stepping away from a problem is often the best way to solve it. So go crazy, live a little today: Leave your computer at home on your desk, leave the dirty dishes piled up in the sink, leave the carpet unvacuumed and the paperwork in messy, disheveled stacks, and head to the park or the beach or even your own backyard, and just sit and watch, sit and write. It may end up being be the best "work" you've done in a long time!